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RVIFF Reviews: Savior Complex Love, An Eco-Terrorism Procedural, and The Creature from a Finnish Egg

September 12th, 2023 | Robin

A Ken and Robin Consume Media Special Feature

For the second year running, my wife Valerie and I are attending our own at-home film festival. It takes the place in our hearts and vacation plans formerly reserved by the Toronto International Film Festival. The Robin and Valerie International Film Festival is the cinema event you can play along with at home, with a roster of streaming service and SVOD titles. Its roster includes the foreign, independent and cult titles we used to love to see at TIFF, but cheaper, hassle-free, and on the comfort of our own couch. Daily capsule reviews roll out throughout the festival, with a complete list in order of preference dropping a day or two afterwards. Review ratings are out of 5.

The Real Thing [Japan, Kôji Fukada, 2020, 4] Noncommittal toy salesman enmeshes himself in a troubled woman’s complicated life after preventing her stalled car from being hit by a train. Epic-length dissection of dysfunctional romance puts the co- In codependency.

How to Blow Up a Pipeline [US, Daniel Goldhaber, 2023, 4] Young radical environmentalists come together to perform the titular act of oil industry sabotage. Tense political thriller draws on the reliable cinematic power of showing people executing complicated practical tasks under pressure.

Hatching [Finland, Hanna Bergholm, 2022, 4] Preteen gymnast with perfectionist influencer mother finds an egg that hatches a strange creature which acts on her sublimated desires. Satirical horror with standout production design probes the gooey depths of girl rage.

Due to moderate demand, the RVIFF shirts I made for the two of us are available in the Ken and Robin merch store.


If you enjoy this special text feature of the Ken and Robin Talk About Stuff podcast and don’t already support our Patreon, consider tossing a few bucks in the tip jar. Or check out my book on action films and their roleplaying applications, Blowing Up the Movies. Or the roleplaying game inspired by the Hong Kong films I first encountered at TIFF, Feng Shui 2.

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