Ken and Robin Consume Media: Folk Music Horror, Indonesian Theological Terror, and the Walter Ghost Mysteries
October 15th, 2024 | Robin
Ken and Robin Consume Media is brought to you by the discriminating and good-looking backers of the Ken and Robin Talk About Stuff Patreon. Each week we provide capsule reviews of the books, movies, TV seasons and more we cram into our hyper-analytical sensoriums. Join the Patreon to help pick the items we’ll talk about in greater depth on a little podcast segment we like to call Tell Me More.
Recommended
All You Need is Death (Film, Ireland, Paul Duane, 2023) Ethnomusicologists on the make (Simone Collins, Charlie Maher) team with a more established rival (Catherine Siggins) to pry a sinister pre-Irish ballad from the last singer who knows it (Olwen Fouéré.) With its motif of a work of art that warps minds and physical reality, this eerie, disjunctive folk horror may ring bells with devotees of Chambers’ King in Yellow cycle.—RDL
The Bishop’s Bedroom (Fiction, Piero Chiara, 1976) In the Italian-Swiss Lake District after the war, a young idle yacht owner becomes a fixture in the villa of a grasping fellow veteran, his disapproving wife, and her stifled younger sister. Literary murder tale in the Highsmith vein, told with a wry forgiveness for human weakness.—RDL
Grave Torture (Film, Indonesia, Joko Anwar, 2024) Determined nurse (Faradina Mufti) whose parents were killed by a bomber obsessed with the Islamic doctrine that the bodies of dead unbelievers are horrifically tortured goes to extreme lengths to debunk it. Patient theological slow burn followed by shocking spiral into terror.—RDL
Good
His Three Daughters (Film, US, Azazel Jacobs, 2024) Tensions come to a head for three sisters, confrontational Katie (Carrie Coon), mediating new mom Christina (Elizabeth Olsen) and self-medicating Rachel (Natasha Lyonne) as they keep watch over their dying father. Indie drama stylizes its dialogue and performance style as it explores family reconciliation through grief, a wish fulfillment fantasy as alluring as anything involving Jedi or superheroes.—RDL
The Walter Ghost Mysteries (Fiction, Vincent Starrett, 1929-1932) In three novels, dilettante Walter Ghost reluctantly investigates murders. Murder on “B” Deck features a more Holmesian arbitrary revelation; the other two attempt to play fair. Light and airy, but Chicago connection aside there’s not much to distinguish them from the run of the Golden Age mill.—KH
The Widening Stain (Fiction, Morris Bishop, 1942) Library cataloguer Gilda Gorham investigates the mysterious death of a Romance Languages professor in the stacks, interspersed with limericks from her suitor, a Dramatic Arts professor. The witty and well-drawn academic background (Bishop was a professor at Cornell, who published under a pseudonym) rather upstage a somewhat misfired mystery.—KH
Okay
What Have They Done to Your Daughters? (Film, Italy, Massimo Dallamano, 1974) Methodical prosecutor (Giovanna Ralli) and hard-charging cop (Claudio Cassinelli) trace a young girl’s murder to an underage sex trafficking ring protected by a leather-clad hatchet killer. Giallo-adjacent poliziotteschi plays like a Law & Order: Special Victims Unit episode with extreme gore effects. Like many treatments of this subject matter before and since, the film is blatantly horny for the thing it is morally outraged about.—RDL
Not Recommended
Lisa Frankenstein (Film, US, Zelda Williams, 2024) Traumatized transfer student (Kathryn Newton) bonds with the reanimated corpse of a 19th century pianist (Cole Sprouse.) Diablo Cody’s 80s-set teen horror comedy script makes some interesting choices but is ill-served by listless direction in which key moments are oddly omitted.—RDL
