Ken and Robin Consume Media: Crisis on Infinite Lupins

April 23rd, 2025 | Robin

Ken and Robin Consume Media is brought to you by the discriminating and good-looking backers of the Ken and Robin Talk About Stuff Patreon. Each week we provide capsule reviews of the books, movies, TV seasons and more we cram into our hyper-analytical sensoriums. Join the Patreon to help pick the items we’ll talk about in greater depth on a little podcast segment we like to call Tell Me More.

Recommended

The Adventures of Arsene Lupin (Film, France, Jacques Becker, 1957) Notorious gentleman thief (Robert Lamoureux) flirts with an aristocratic spy (Liselotte Pulver) while hoodwinking rich art collectors, eager-to-please jewelers, and the German Kaiser (O. E. Hasse.) Lavish celebration of style and luxury in glorious fifties color.—RDL

Noryang: Deadly Sea (Film, South Korea, Kim Han-Min, 2023) As the 16th century Imjin War drags to a close, genius admiral Yi Sun-Sin (Kim Yoon-seok) defies his Ming allies by demanding a final engagement to destroy  withdrawing Japanese fleet. Final installment in the Yi Sun-Sin trilogy devotes a long first act to complicated three-way politicking, with factions within each force, all of which are needed to fully follow the rousing, extended naval combat sequences that follow.—RDL

Good

Arsene Lupin (Film, US, Jack Conway, 1932) Crusty Sûreté chief (Lionel Barrymore) pursues a spendthrift duke (John Barrymore) who he suspects is the wily gentleman thief Arsène Lupin. Agreeable pre-Code crime romp uses the Maurice Leblanc character to occasion a double shot of Barrymore.—RDL

Lady of the Train (Film, Egypt, Youssef Chahine, 1952) On discovering that she has not in fact been killed in a train crash, the degenerate gambler husband of a beloved singer pressures her to lay low so he can collect the insurance money. Wild plot turns keep coming in this noir-adjacent musical melodrama.—RDL

Oh, Canada (Film, US, Paul Schrader, 2024) Dying of cancer, an American expat who made a career for himself as a documentarian in Canada (Richard Gere) sits for an hijacks an interview conducted by a former student (Michael Imperioli) into a confession to his wife (Uma Thurman.) Adapting the structure of the Russell Banks source novel (Foregone) to film is a heavy lift, though Gere turns in an impressive performance. Set in the slightly alternate universe that vibrates into being whenever Americans set movies in Canada.—RDL

Okay

Lupin Season 3 (Television, France, 2024) When a mysterious foe kidnaps his long absent mother, Assane again follows in the footsteps of fictional master thief Arsene Lupin to fake his demise. Dutiful recapitulates the structure of season 1 & 2, making some off-putting choices for its protagonist without asking him to reckon for them.—RDL

Ken and Robin were both on the road this week. Like a true gentleman mastermind, Robin banked some capsule reviews for this exact eventuality.

Ken and Robin Consume Media: Morris on Manson, Moravian Witch Hunting, 70s Cops, and the Hottest New Fiction of 1771

April 15th, 2025 | Robin

Ken and Robin Consume Media is brought to you by the discriminating and good-looking backers of the Ken and Robin Talk About Stuff Patreon. Each week we provide capsule reviews of the books, movies, TV seasons and more we cram into our hyper-analytical sensoriums. Join the Patreon to help pick the items we’ll talk about in greater depth on a little podcast segment we like to call Tell Me More.

Recommended

Close Your Eyes (Film, Spain, Victor Erice, 2023) An unsolved mysteries-style TV show inspires a novelist (Manolo Solo) to follow up on the fate of a renowned actor (Jose Coronado), whose disappearance from set a generation ago ended his second career as a movie director. Erice, returning to filmmaking after a 31 year absence, infuses his ambiguous narrative of identity and loss with a complex, absorbing simplicity—not to mention a surprising homage to Rio Bravo.—RDL

The Expedition of Humphry Clinker (Fiction, Tobias Smollett, 1771) An outwardly querulous, secretly kindly gent, his fussy, husband-seeking sister and their lovestruck niece and hotheaded nephew take a tour across England and Scotland. Fictionalized comic epistolary travelogue leaves an accessible, amusing record of everyday life in Georgian Britain.—RDL

The Seven-Ups (Film, US, Philip D’Antoni, 1973) Plainclothes cop Buddy Manucci (Roy Scheider) and his team of maverick “Seven-Ups” find their pursuit of New York organized crime figures complicated by freelance crooks kidnapping those same targets. A fine 70s cop movie is vaulted into greatness by the third (after Bullitt and The French Connection) of stunt co-ordinator Bill Hickman’s legendary car chases.—KH

Sly Lives! (aka the Burden of Black Genius) (Film, US, Ahmir “Questlove” Thompson, 2025) Arts profile documentary uses a diptych structure to examine the musical innovations of funk pioneer Sly Stone, and then to ask what role the extra pressures placed on a black superstar contributed to his breakdown into drug dependency.—RDL

The Thief of Bagdad (Film, US, Raoul Walsh, 1924) Exquisitely muscled rogue (Douglas Fairbanks) poses as a foreign prince to vie with rival suitors for the hand of a princess (Julanne Johnston.) Foundational work of fantasy cinema, its monumental sets dripping with art nouveau and Symbolist style, centered by Fairbanks as the prototypical action star. Obvious caveat: if there’s a non-orientalist way for a Westerner to do this story, it’s not gonna be the one from a hundred years ago.—RDL

Witchhammer (Film, Czechoslovakia, Otakar Vávra, 1970) In Baroque-era Moravia, an erudite deacon (Elo Romancik) challenges a venal inquisitor (Vladimír Smeral) conducting an escalating, lethal anti-witchcraft campaign. Harrowing historical political drama of complicity and inertia in the face of tyrannical abuse hits hard now, as it would certainly have done for Czech audiences two years after the Soviet crackdown.—RDL

Good

Chaos: the Manson Murders (Film, US, Errol Morris, 2025) Morris’ ongoing tumble down the MKULTRA rabbit hole leads him to entertain researcher Tom O’Neill’s admittedly unproven theory that Charles Manson gained his powers of persuasion from a government mind control project. The problem with this challenge to the prevailing narrative of Manson as a Svengali of nihilistic terror is that it still strives to impose sense on what was really a spiral of drug-addled, criminal stupidity, which is where the documentary correctly if somewhat reluctantly lands.—RDL

Ken and Robin Consume Media: Bill Burr, 80s Elmore Leonard, and a Martial Arts Crossover Event

April 8th, 2025 | Robin

Ken and Robin Consume Media is brought to you by the discriminating and good-looking backers of the Ken and Robin Talk About Stuff Patreon. Each week we provide capsule reviews of the books, movies, TV seasons and more we cram into our hyper-analytical sensoriums. Join the Patreon to help pick the items we’ll talk about in greater depth on a little podcast segment we like to call Tell Me More.

Recommended

52 Pick-Up (Film, US, John Frankenheimer, 1986) Steel company exec Harry Mitchell’s (Roy Scheider) philandering exposes him to blackmail by Alan Raimy (John Glover), setting off an escalating battle of wills and wits. Elmore Leonard co-wrote the script based on his novel, and the result feels tighter and smarter than the average 80s thriller, while not quite maintaining the tension Frankenheimer was capable of.—KH

Behind Closed Doors: At Home in Georgian England (Nonfiction, Amanda Vickery, 2009) Deep dives into 18th century household account books, letters, court records and commercial catalogues illuminate Georgian home life, with a particular eye to the roles assigned to women and men. If you don’t want an entire chapter on the 18th century wallpaper industry maybe this isn’t for you, but I am addressing a self-selecting crowd here.—RDL

Bill Burr: The Drop Dead Years (Stand-up, Hulu, Ben Tishler, 2025) At age 55, Burr begins to confront his “drop dead years” by attempting to modulate his “angry Everyman” persona. The best individual bits, by and large, still come from that old type, but the larger structure of the routine points to a key change that will either produce a whole new comedy or remove his teeth entirely.—KH

Escape from Mogadishu (Film, South Korea, Ryoo Seung-wan, 2021) When embassies in the Ethiopian capital come under attack during the 1990 overthrow of Siad Barre, the mutually distrustful delegations of North and South Korea band together to find a way out of the war torn city. Docudrama political thriller culminates in a heart-in-mouth suspense action set piece.—RDL

The Girl on a Broomstick (Film, Czechoslovakia, Václav Vorlícek, 1972) Bored by the prospect of a 144-year detention, an inattentive student witch (Petra Cernocká) splits for the mortal world, where her shaky grasp of magic wreaks havoc at a contemporary high school. Wacky, anarchic comedy with funny gags, beguiling credits sequence illustrations and a jazz-funk soundtrack. I theorize that Cernocká and her foxy witch outfit exerted a galvanizing effect on a generation of impressionable young Czechs.—RDL

Nickel Boys (Film, US, RaMell Ross, 2024) Studious teen (Ethan Herisse) unjustly sentenced to a corrupt, murderous reform school befriends a more realistic fellow inmate (Brandon Wilson.) Moments of evanescent, Malick-esque beauty juxtapose with memories of rage and horror in a confident adaptation of the novel by Colson Whitehead.—RDL

September 5 (Film, US/Germany, , 2024) The ABC sports team at the 1972 Olympics in Munich, led by obstacle-smashing exec Roone Arledge (Peter Sarsgaard) and voice-of-caution Marvin Bader (Ben Chaplin) invents live crisis coverage on the fly when the Black September terror group attacks Israeli athletes and coaches. Journalistic procedural docudrama executes the shouting into phones genre with tension and clarity.—RDL

Zatoichi Meets the One-Armed Swordsman (Film, Japan, Kimiyoshi Yasuda, 1971) When samurai seeking to cover up a massacre hunt a high-leaping Chinese warrior (Jimmy Wang Yu), the swordcane-wielding blind masseuse yakuza punks can’t stop messing with (Shintaro Katsu) steps up to protect a young boy who knows what really happened. A martial arts crossover event for the ages becomes a fatalistic meditation on cultural barriers in this above-average entry in the long-running series.—RDL

Ken and Robin Consume Media: The Vourdalak, They Cloned Tyrone, Reacher

April 1st, 2025 | Robin

Ken and Robin Consume Media is brought to you by the discriminating and good-looking backers of the Ken and Robin Talk About Stuff Patreon. Each week we provide capsule reviews of the books, movies, TV seasons and more we cram into our hyper-analytical sensoriums. Join the Patreon to help pick the items we’ll talk about in greater depth on a little podcast segment we like to call Tell Me More.

The Pinnacle

Mother and a Guest (Film, South Korea, Shin Sang-ok, 1961) An irrepressible yet vulnerable six year old (Yeong-seon Jeon) who lives with her mom (Choi Eun-hie), grandmother and maid, all of them widows, does not understand the adult emotions stirred by the arrival of a male teacher (Kim Jin-kyu) as a lodger in their guest house. Often funny, sometimes strikingly poignant domestic drama, told with a deceptive simplicity that veers away from melodrama toward emotional realism. Features one of cinema’s greatest child performances. See kbelow for more on the star and director.—RDL

Recommended

Ant Colony (Comics, Michael DeForge, 2020) Anomic ants ponder wretched insect existence and their illicit desires as catastrophe looms over their colony. Obsessively drawn, bleakly comic fable of deterministic fatalism set in a Herrimanesque arthropod hellscape.—RDL

Close Your Eyes (Film, Spain, Victor Erice, 2023) An unsolved mysteries-style TV show inspires a novelist (Manolo Solo) to follow up on the fate of a renowned actor (Jose Coronado), whose disappearance from set a generation ago ended his second career as a movie director. Erice, returning to filmmaking after a 31 year absence, infuses his ambiguous narrative of identity and loss with a complex, absorbing simplicity—not to mention a surprising homage to Rio Bravo.—RDL

The Lovers & the Despot (Film, UK, Ross Adam & Robert Cannan, 2016) Documentary recounts the astounding story of top South Korean film director Shin Sang-ok and his star actress ex-wife Choi Eun-hie, who were separately kidnapped from Hong Kong in 1978 at the behest of North Korea’s Kim Jong-il, a frustrated cineaste who held them captive until they were willing to make movies for him. Illuminates the many stunning turns of a wrenching incident often treated in Western media as a surreal joke.—RDL

They Cloned Tyrone (Film, US, Juel Taylor, 2023) Aided by a motor mouthed, has-been pimp (Jamie Foxx) and a streetwalker who learned detective skills from her Nancy Drew collection (Teyonah Parris), a taciturn mid-level drug dealer (John Boyega) chases down eyewitness reports of his own murder. Hyper-verbal, hazily shot weird science mystery joins the satirically conscious horror cycle ushered in by Get Out.—RDL

The Vourdalak (Film, France, Adrien Beau, 2023) Lost and robbed in the 18th-century Balkans, French Marquis d’Urfe (Kacey Mottet Klein) shelters in the home of Gorcha, who has become a vampirish vourdalak. Undeniably effective adaptation of the Alexei Tolstoy novella aims more for “cringe horror” than real dread, although Beau’s decision to show the vourdalak’d Gorcha as a marionette pays big dividends in the uncanny.—KH

Good

Reacher Season 3 (Television, US, Amazon Prime, Nick Santora, 2025) Seeking to revenge himself on a connected sadist who got away, Reacher (Alan Ritchson) goes along with a rogue DEA operation targeting the sadist’s partner Zachary Beck (Anthony Michael Hall). Although this season finds an even more enormous foe to pit against Reacher, it suffers from Reacher being fundamentally reactive (and run by pinhead feds to boot) and from a dearth of Reacher whaling on guys. At least it’s a tighter story than Season 2, but America wants real Reacher.—KH

You Can’t Buy Everything (Film, US, Charles Reisner, 1934) Querulous, wealthy miser (May Robson) forces her dutiful son (William Bakewell) to follow in her footsteps, until he falls for the daughter (Jean Parker) of the ex-fiancee (Lewis Stone) she loathes with obsessive fervor. Domestic melodrama takes a rare focus on a mother-son relationship, drawing its matronly antihero with unexpected realism, even when Robson is overacting a little.—RDL

Okay

The Amateur (Film, Canada, Charles Jarrott, 1981) CIA cryptographer Charles Heller (John Savage) blackmails the Agency into sending him behind the Iron Curtain to kill the terrorists who murdered his fiancee. Christopher Plummer embraces the role of the Czech secret policeman on the other side, animating as best he can the back half of the movie. A few set pieces provide intermittent thrills, but this is perhaps best watched as a hairy period piece.—KH

Piaffe (Film, Germany, Ann Oren, 2023) Forced to take over work as a foley artist from her hospitalized sister, a withdrawn woman (Simone Bucio) grows a horse tail and enters into a fetishistic affair with a fern expert (Sebastian Rudolph.) Solemn, surreal magic realist fantasy shies away from resolution, with cryptic, hermetically sealed results.—RDL

Ken and Robin Consume Media: A Different Man, Will & Harper, and Ghost Stories from a POW Camp

March 25th, 2025 | Robin

Ken and Robin Consume Media is brought to you by the discriminating and good-looking backers of the Ken and Robin Talk About Stuff Patreon. Each week we provide capsule reviews of the books, movies, TV seasons and more we cram into our hyper-analytical sensoriums. Join the Patreon to help pick the items we’ll talk about in greater depth on a little podcast segment we like to call Tell Me More.

The Pinnacle

Danton (Film, France/Poland, Andrzej Wajda, 1983) In the second year of the revolutionary Republic, charismatic faction leader Georges Danton (Gerard Depardieu) challenges the tightening grip on power held by his icy, ruthless rival Maximilien Robespierre (Wojciech Pszoniak.) Stirring historical political thriller doomed by its incisiveness to a state of perpetual timeliness..—RDL

Recommended

The Alabaster Hand and Other Stories (Fiction, A.N.L. Munby, 1949) Collection of Jamesian horror tales written while Munby (an antiquarian bookseller by trade) was held in a German POW camp unsurprisingly amps up the nostalgic tone of James’ work, sometimes at the expense of horror. Munby’s ghosts prove more susceptible to laying than James’ do, but several of the stories (especially “Herodes Redivivus” and “The White Sack”) transmit real dread, and even the “happy ending” tales pass through excellent grue.—KH

A Different Man (Film, US, Aaron Schimberg, 2024) Would-be actor with extensive facial tumors (Sebastian Stan) undergoes treatment rendering him traditionally handsome, only to lose the playwright (Renate Reinsve) and starring role of his dreams to a chipper bon vivant (Adam Pearson) unfazed by his own similar condition. Mordant satire of inner versus outer acceptance with a 90s NYC indie vibe.—RDL

Trial Run (Fiction, Dick Francis, 1978) Bounced from the turf by a “no glasses” safety rule, astigmatic gentleman farmer and former steeplechaser Randall Drew succumbs to royal pressure and travels to Moscow to quash a rumor ahead of the Olympics. Francis’ thriller pace and well-sketched characters keep this not-quite-spy story intriguing, and make for a zippy read to boot.—KH

Will & Harper (Film, US, Josh Greenbaum, 2024) Will Ferrell goes on a heartland road trip with longtime co-writer Harper Steele to check on the status of their friendship, and her relationship to the down and dirty haunts she used to favor, now that she has come out as trans. Warm, funny buddy road documentary of awareness and acceptance triggers halcyon recollections of the late Biden era.—RDL

Good

Aavesham (Film, India, Jithu Madhavan, 2024) Seeking help against bullying upper classmen, three engineering students (Roshan Shanavas, Mithun Jai Shankar, Hipzster) establish a surprising bond with a flashy but insecure gang kingpin (Fahadh Faasil.) Punchy action comedy finds, in the neediness of its leading frenemy, a fresh spin on the in-too-deep-with-the-mob trope.—RDL

Korea: The Impossible Country (Nonfiction, Daniel Tudor, 2012/2018) Introductory survey of all things South Korean, from film to K-pop, from shamanism to an economy built from nothing to powerhouse on a structure of centrally-planned mercantilist capitalism. Useful and illuminating, though its arrangement by topic results in considerable repetition, as so many elements of South Korean life owe their character to the same events.—RDL

Mission Impossible: Dead Reckoning (Film, US, Christopher McQuarrie, 2023) Ethan (Tom Cruise) and his team pursue a McGuffin granting control over a rogue AI which has hired an old enemy (Esai Morales) to counter him. McQuarrie expertly performs the mission he has assigned himself in his run on the series, to configure bedrock genre elements for maximum momentum and brio. Ironically this, the movie audiences decided to punish for two-parter syndrome, could have, with the merest of tweaks, stood on its own.—RDL